Sermon
Parashat Terumah | Rabbi Felicia Sol | February 21, 2026
Publisher transcript
Transcript
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this week as
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we are preparing I I mean I'm not
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preparing but uh our communications
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department is preparing for the second
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half of our bicesentennial exhibit. Max
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Orstein, our director of communications,
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finally received documents from the
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Martin Luther King Library. Among them
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was a letter from Rabbi William
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Burkowitz dated July 31st, 1962
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inviting Dr. Martin Luther King Jr. to
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be honored here with the annual
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brotherhood award. An award established
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in 1947
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for an eminent citizen who rendered
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outstanding service in the field of
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interfaith and intergroup understanding.
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Included in all these documents was the
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correspondence back and forth. Of
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course, there was no internet or
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anything, so every little detail of the
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visit was in another letter. And it also
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included excerpts from Dr. King's
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remarks delivered in February 1963.
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Uh that's basically 60 years from the
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day. Entitled moral and religious
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imperatives for brotherhood.
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He begins with a moral clarity that
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feels as urgent now as it did then.
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There must be a recognition of the
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sacredness of the human personality,
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deeply rooted in our political and
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religious heritage, is a conviction that
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every man is an heir to a legacy of
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dignity and worth.
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This innate worth referred to in the
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phrase the image of God is universally
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shared in equal portions by all men. It
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was a different time, right? There is no
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graded scale of essential worth. Every
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human being has etched in his
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personality the indelible stamp of the
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creator.
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And he concludes his remarks with a
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reminder that holiness is never
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solitary.
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The universe is so structured that
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things do not quite work out rightly if
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men are not diligent in their concern
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for others.
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The self cannot be self without others
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without other selves. I cannot reach
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fulfillment without thou. All life is
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interrelated.
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All men are caught in an inescapable
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network of mutuality
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tied in a single garment of destiny.
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Dr. King gives us a vision of the human
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being as a vessel. Each person bearing
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the indelible stamp of the creator.
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Every life sacred, each self incomplete
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without the other. Holiness lives first
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in the human personality. And yet he
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also insists insists that we do not
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stand alone. We are bound together. We
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build communities and institutions.
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movements, structures meant to serve
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that sacred human core.
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And that tension between the sacred
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human vessel, the individual, and the
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structures we build around it is not
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new.
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The sages too were captivated by what
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human beings can create together. In the
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Talmud Suka 51B declares, "One who did
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not see the celebration of the simata,
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the drawing, the place of the drawing of
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the water, never saw a true Simkha in
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the in their life. One who did not see
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in its glory, never saw a beautiful
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city. One who did not see the temple in
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its construction, in its constructed
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state, never saw a magnificent
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structure. The rabbis marvel at
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grandeur, at collective joy and ritual,
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at architectural beauty, at the
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magnificence of sacred space. They
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understand that human beings bound
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together can create something
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breathtaking.
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But as we will see, they also understand
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some danger there.
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Because the question is not simply
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whether we can build something
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magnificent.
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The question is what is the magnificence
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meant to serve?
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And so the tomud continues as if to test
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its own celebration of grandeur. After
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praising Yushaim and the Beth Mikdash,
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the temple, it turns to another
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structure far from Cion, far from home,
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a synagogue in Alexandria of Egypt. And
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there the question of what we build and
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what our building does to us becomes
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even sharper. The Talmud continues,
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"Rabbi Yehuda said, "One who did not see
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the great synagogue of Alexandria of
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Egypt never saw the glory of Israel.
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They said that its structure was like a
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large basilica with a colonade within a
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colonade. At times there were 600,000
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men and another 600,000 men in it. Twice
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the number of those who left Egypt. In
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it, there were 71 golden chairs
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corresponding to the 71 members of the
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great Sanhedrin, each of which consisted
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of no less than 21,000 talents of gold.
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And there was a wooden platform at the
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center, the sexton of the synagogue
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would stand on it with scarves in his
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hands. And because the synagogue was so
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large and the people could not hear the
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communal prayer, when the prayer leader
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reached the conclusion of a blessing
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requiring the people to answer, "Amen,"
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the sexton waved the scarf and all the
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people would answer, "Amen." And the
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members of the various crafts would not
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sit mingled. Rather, the gold smiths
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would sit among themselves, and the
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silver smiths among themselves, and the
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blacksmiths among themselves, and the
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copper smiths among themselves, and the
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weavers among themselves. And when a
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poor stranger entered
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there, he would recognize who pied to
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his craft, and he would turn to join
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them. And from there he would secure his
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livelihood as well as the livelihood as
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the members of his household as his
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colleagues would find him work in that
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craft.
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It's an extraordinary image in all its
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grandeur. Not only the enormity of the
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structure, but the affirmation of a
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thriving community, more populated than
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those who left Mitsime, more populated
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than those who stood on Sinai, the
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affirmation that the covenant was alive
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and well. It even honored the great
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Sanhendrin. Aside from the clear
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financial success of the community in
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order to create such a structure, the
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community is also modeled with economic
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dignity so that artist artisans seated
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by their crafts are set up that way so
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that persons who were struggling to find
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their place in Parasa and their
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livelihood could find it easily when
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they walked into the synagogue.
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What an expression of pride in knowing
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how to build not only a place but a
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community. From our humble beginnings in
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Mitraim to traveling in the desert with
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the Mishkan to exile in times of
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abundance and in times of danger.
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However, the Talmud takes a dramatic
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turn.
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It says the following. Abay said all the
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people who congregated in that synagogue
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were killed by the Alexander the Great
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of Macedonia.
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What is the reason that they were
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punished and killed?
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It is due to the fact that they violated
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the prohibition with regard to mitim in
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this verse.
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You shall not go back that way again as
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it says in Deuteronomy. and they
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returned to Mitsim
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since they established their permanent
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place of residence in Mitraim in Egypt.
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They were punished.
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It's a stunning turn of events. Aside
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from the found profound problem of this
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theology, I'm not going to go there. Um,
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which is very deeply profound that
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people will get punished for something
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like that. The rabbis, I think, are
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asking a question and probing a concern.
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How can something so beautiful and
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lauded ultimately be something so
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spiritually dangerous?
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It's not like the building or the
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synagogue was immoral. It's not that it
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was assimilated.
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It wasn't corrupt. just it seems too
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settled and comfortable in mitzim and
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perhaps not even recognizing the
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narrowness the vulnerability
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the mitzim rout right right outside
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their door. So, I just want to stop for
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a minute just to make sure people
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understand that the rabbis are accusing
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the the people saying that the Torah
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says that they should never go back to
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Mitsim, right? Like that. That's whether
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you want to say it's a bad place or it's
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not a place that you should go back to.
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And because these people established a
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thriving community in Mitsim, which is
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an and all
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and all the surface looks amazing in
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fact right and they the then the tomud
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kind of abay says no no no so I'm just I
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want to open it up for two minutes to
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say what's wrong with going back to mitz
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what's the risk at least like what
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what's at stake why do the rabbis have
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an inkling that something is bad about
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that why do they apply the verse in this
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way
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thoughts
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Yes.
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>> Okay. So, mitz represents from star
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narrowness and if you go back there
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there's no sense of potentially
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spiritually thriving even though at on
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the surface it looks as if they are
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thriving. Great. Yeah. Martha.
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Okay. So Martha said that it's like a
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reversal of the whole intention of the
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plot, right? God took us out of Egypt.
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So to go back is seems kind of hau. It
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seems upside down in some way or going
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backwards. You could say it's a return
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to part of the story that we don't want
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to return to. Any other thoughts?
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Yes. Ephraim
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conflict is because they they battled
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other people and they would be embattled
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in that space too.
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They're not safe. It It doesn't provide
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them a sense of potentially the kind of
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the the promise of being their own
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people in their own land potentially.
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Yes.
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>> Okay. So, Donna says maybe it's like
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this is like shot rabbis, which is the
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verse says don't go back and they went
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back. They I mean I would just say they
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apply verses very uh you know
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willy-nilly in a certain sense. So that
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feels not satisfying for me even though
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I understand the logic of it. Yeah,
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Mark. It seems
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okay. So, it's dismissing of God's plan
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and God went through a lot of efforts to
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sacrifice people along the way to make
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us have that kind of redemption. How can
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we go back? Yeah, Jerry.
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So
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>> yeah and therefore
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>> so that's part of the point right so uh
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that so theologically so Jerry's point
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our dear representative um is that
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there's not a problem like it doesn't
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seem to be a problem but the rabbis have
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a problem with it they make a problem of
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it right like they've just expressed all
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these incredible witnessing of so many
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things that are gorgeous and beautiful.
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And they add this diaspora synagogue on
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the list and then they say, "Uhoh,
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something's wrong here." The rabbis
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smell something that they don't like or
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they project, right? Like they're
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they're projecting an agenda onto the
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text in order to try to convey
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something. So the the question is there
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are many things that could be conveyed.
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We don't have we could spend hours uh
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doing this which we're not going to do.
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Um one last
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>> yes
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>> okay so maybe it's around diasporic
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existence um potentially. All right. I
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think there's a lot to be said about it,
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right? And that the tomud basically says
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they it's because they, you know,
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according to what Donna says, you know,
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they they didn't fulfill this thing
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about not going back. But I think
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underneath it, there must be something
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going on, right? Like there's something
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deeper going on about why they're so
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disturbed about it. And um so I just
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want to hold that question right like
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what is it about the optics
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about having a grand synagogue that's
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functioning extremely well in the place
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where we were enslaved
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that is it's seemingly it it seems to me
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at least functioning in some way in a
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vacuum in Mitsin
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the place of according right as Jerry
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said of where we were slaves. I just
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hold that. So it seems that they were
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settled and comfortable in mitsim and
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the question is whether that is a good
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thing whether we should ever be settled
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and comfortable in mitzime and perap
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perhaps they don't uh who said I don't
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remember uh it was joy who said who said
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they didn't recognize the narrowness of
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the place and they perhaps weren't
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attentive to the vulner vulnerability of
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the mitz
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right out their door, right? They build
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this grandiose thing in Mitzim, which is
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not really just a place, but a but a a
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spiritual state. And how do you build
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something so grand in the midst of so
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much narrowness? That's another
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question. Unlike the grandiosity of
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Alexandria,
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there was a moment in our story
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when there was no building. There was no
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Mishkan that was considered or even
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needed. Of course, all of that precedes
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this week's parasa. And the met theidic
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commentary on this week's parasa truma
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describes the moment when the Israelites
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were crossing the sea and he writes,
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"Israel at the sea felt themselves to be
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vessels ready to have the shina poured
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into them. Thus they said,
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This is my God and I will enshrine them.
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That's a part of the uh Shiratayam, the
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song of the sea. Meaning, I will make
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myself into a shrine for God.
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Essentially, the children of Israel
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themselves were a foundation for God's
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dwelling. They were at the sea according
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to the fat mik
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that they were small sanctuaries ready.
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It's a I I taught this teaching in my
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class this week. It's such a powerful
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teaching to imagine coming out of
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Mitsurim
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and at a place where they were filled
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with so much badness, you know, so much
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horror, so much narrowness and
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constriction. And here according to the
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fat, they say we will be the shrine for
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you. What an incredible transformation
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that when one comes out of mitim, one
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could have the awareness that one could
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be filled up with God's presence.
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It wasn't until the sin of the golden
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calf, the eelah that God saidd.
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That's according to Rashi's read. People
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know that there's like a chronic
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chronological
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um uh reversal of the order of events in
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the Torah that says Rashi says that the
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egalas the golden calf occurs before the
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construction of the Mishan and God's
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instruction to build the sanctuary
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vasuli mikdash mishakant
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is an outgrowth of the sin of the golden
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calf. Let me let them make me a
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sanctuary and only through that will I
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dwell in them that they need the
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sanctuary. The mishan is a concession.
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The mishan is a concession. It only
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appears after rupture
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when people can no longer bear the
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unmediated encounter with God or when
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their capacity because they've sinned
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for being a mikdash ma a small sanctuary
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as human beings in some way has been
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lost. The Mish Khan is both a merciful
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hi gift
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to create a place for the encounter by
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God and it is also at once an expression
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that has some of something that has been
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forfeited because of the experience of
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sin.
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The svat however is emphatic
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that this the desire is for human beings
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themselves to become a mishan for god.
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He teaches this teaching, I think,
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because he is worried in some sense.
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There's always like we're Jewish. Like
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there's always a worry underneath. Like
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the rabbis have a worry about that
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synagogue in Alexandria. And the suvat
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met I think has a worry that too much
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will be put into the building of
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Mishkhan and people will forget that
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actually it was them who were supposed
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to be the Mishkhan that they were meant
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to be the vessels by which uh God would
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dwell. And here is the tension we must
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feel. What happens when our sanctuaries
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and our institutions become so secure
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and so magnificent, so complete that we
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forget what it was like to stand at the
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sea unshielded, unfinished, open to
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God's presence. Alexandria was praised
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for its grandeur, for its care of the
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poor, for its thriving ordered
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community. And yet that very beauty
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carried a hidden danger. According to
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the rabbis, the people built a home in
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Mitsim and in doing so risked forgetting
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their exile, the awareness that holiness
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must always be carried and never
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assumed. The Mishkhan reminds us that
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structures are gifts necessary for
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fragile hearts, but the true dwelling is
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within human beings, porous enough to
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hold the shina, God's dwelling presence,
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fear and the suffering of others.
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And so we are left in the middle of a
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question, not an answer. What is the
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purpose of what we build
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together? Of course, we have that
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blessing every Shabbat, many of us, many
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times during the week to be here to
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protect us, to feel encapsulated and of
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comfort inspire,
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I hope. Yes. And yet can the walls we
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erect, the grandeur we create quietly
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make us forget the narrowness of
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mitsayim, the fragility of being
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vessels, the trembling openness the sat
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de emtt describes at the sea.
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Do our sanctuaries and institutions
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enlarge our moral imagination,
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training us to carry fear and the
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suffering of others? Or do they allow us
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to settle secure in comfort, forgetting
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what it means to be porous, unf
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unfinished, and fragile human beings
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just out of mitzim. I worry about the
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Jewish community in this way.
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When the people of Alexandria built
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their magnificent synagogue, they were
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alive with pride, organization, care,
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and economic dignity. And yet, they were
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in Mitsim in Egypt. When we build, are
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we building to dwell with God or are we
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building to feel at home in a place that
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is meant to remind us of our own
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vulnerability?
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The Mishkan reminds us that structure,
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according to our tradition, was a
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merciful gift. But human beings are
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meant to be the vessels of God. Mikdash,
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each of us a mikdash ma. The walls can
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hold, the gold can shine, and we
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certainly have that in this very
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beautiful sanctuary. The chairs can seat
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thousands.
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But the presence, the shina lives first
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in the fragile, trembling, open human
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heart. At the sea, they needed no walls.
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They were vessels open, trembling,
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unfinished. Enough to hold the shina.
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Enough to carry fear. Enough to carry
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each other. Bound together in a fragile
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garment of destiny. The Mishkhan came
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later after rupture, after loss, after
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the human vessel had faltered. It is
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both a gift and a concession. A
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structure contain to contain holiness. A
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mercy for fragile hearts.
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We too build. We build walls. We build
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sanctuaries. We build institutions. We
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organize. We protect. We thrive. And yet
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the question remains, do our walls make
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us safe?
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Or do they make us forget what it feels
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like to be vulnerable? Do they shelter
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holiness or shelter us from seeing the
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suffering of others? Do they enlarge our
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moral imagination or quietly narrow it?
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At the sea, there were no chairs, no
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colonads, no golden walls, only human
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beings, unshielded, unfinished, open
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enough to see God and each other
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clearly, clearly with the indelible
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imprint of the creator. Perhaps that is
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the challenge we carry forward. To build
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without settling, to protect without
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insulating,
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to construct without forgetting the
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trembling, porous human vessels we are
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meant to be, and to be a place where God
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dwells amongst us, all each and every
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one of us today and tomorrow. Shabbat
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shalom.