Sermon
Kabbalat Shabbat Kavannah | Rabbi Felicia Sol | August 28, 2026
Publisher transcript
Transcript
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Last night, my kids and I went to see the Israeli
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Sephardic Orthodox singer songwriter Isa Rebo.
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Is anyone there at Radio City?
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Oh, okay.
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It wasn't generally the VG community, I would say.
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It was at Radio City Music Hall, and Meebo
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has become one of the major artists in Israel, reaching across
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the spectrum of Israeli society from secular to Hasidic.
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His music is deeply rooted in Jewish liturgy and religious themes.
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And we sing, actually here at PJ, a powerful version of his Seder of Order
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of the service of the High Priest on Yom Kippur, along with a number of other team
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that he has brought into the mainstream of Israeli society.
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And there was something both exquisite
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and strange about hearing
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a 37 year old Israeli superstar
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sing ancient liturgical poetry
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about our flaws and our brokenness and our longing to return to God.
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Accompanied by the Israeli Philharmonic in Radio City Music Hall
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last year, actually, we heard back
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and I heard him at, at MSG, so I don't know.
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But it wasn't with the Philharmonic last year.
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It was profoundly prayerful.
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And also in some way oxymoronic.
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The humility and religious longing of the words
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often pushed up against the enormous ness of the stage,
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the fame, the spectacle,
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and at moments, the religious nationalism that enter
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the space in ways that I found deeply uncomfortable, to say the least.
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But I think I was in the minority in a big way.
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And yet somehow the music remains
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powerful and prayerful and moving.
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This week was also dominated by the death
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of another beloved musical icon.
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Dolly Parton,
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a woman whose extraordinary talents carried her from a one room house
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in Tennessee where she grew up with 11 siblings, to global stardom.
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She became, someone claimed proudly
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by the southern religious conservatives,
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feminists and the LGBTQ community alike.
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A 2019 New York Times article famously
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asked, is there anything we can all agree on?
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The answer was yes.
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Dolly Parton.
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Beyond her
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extraordinary business and philanthropic accomplishments.
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I don't know if people know that she actually was one of the earlier
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investors in the Covid vaccine.
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Dolly was also an epic songwriter and storyteller,
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often invested with religious themes as well.
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One of those songs is called The Coat of Many Colors,
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which of course is a reference to Joseph's
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elaborate coat of many colors
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that he receives from his father, Yakov.
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But for Dolly, I'm just going to call her Dolly.
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It became her personal story of growing up poor,
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with her mother sewing together rags of many colors.
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Mama sewed the rags together, sewing every piece with love.
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She made my coat of many colors that I was proud of.
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And then Dolly arrives at school in the song.
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Wearing her coat with pride.
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Only to me be made fun of by the other school children.
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But as the song
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progresses, Adele, endowed with the love of her mother
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and with a sense that the coat would somehow bring her goodness, perhaps even
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God's blessing, she refuses to see herself through the eyes of the other children.
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She concludes, now I know
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we had no money, but I was rich as I could be
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in my coat of many colors my mama made for me.
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It is that
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image of the rags stitched together, and the love
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that Dolly felt from her mother, and I suspect, from God to
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that allows her to stand tall
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amidst the harshness of the outside world.
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And it is this very image, I believe, that much of the liturgical
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poetry and prayer of this season is meant to awaken in us.
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On the one hand, we come to
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this season aware of how tattered we are.
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We are poor,
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poor in spirit.
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We are dispersed
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and torn and broken hearted.
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We are empty and afraid.
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And we need to be woken up
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in the pit.
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It's been Adam, which is so easy.
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We both sings and we also sing here.
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We ask a human being, why are you sleeping?
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Rise up and sing. Mercy, mercy.
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Or in another pew.
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The heartily we ask my knee or my high.
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What am I?
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And what is my life?
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And in sadder I will die.
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If a person could truly remember all the flaws, all the shortcomings,
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all the transgressions, all the wrongdoings.
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A person might simply give up.
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But it is not only that,
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because this month is also a luau.
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Of course it is a long, which is an acrostic.
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According to the rabbis Arnoldo Davido.
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Dele.
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I am my beloved and my beloved is mine.
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In this season of soul searching, we are also taught
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that God wants us to return.
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God wants us to return.
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God sees our potential.
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God wants us back just as a beloved.
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We are beloved.
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And maybe that is the deeper message of the rags.
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We don't have to wait and see until
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we are whole to be worthy of love.
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We don't have to wait till we are whole
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to be worthy of love.
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We don't have to hide the torn places.
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We don't have to pretend that we are something we are not.
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Which is basically what social media is asking us to do.
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We can bring all of it,
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the beautiful pieces of who we are and the frayed edges,
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and begin stitching ourselves back together
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in two weeks.
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Exactly two weeks, which makes me feel
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a little bit in shock.
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We will arrive at Shabbat of our session.
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Not at Radio City Music Hall,
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but here in our very own sanctuary, or those joining us
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from the live stream at home or wherever you may
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be on this new Year.
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Not to watch a magnificent performance.
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Although there are parts of the service that are extraordinary and beautiful,
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but to do the work,
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the work of prayer, the work to confront
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what has been broken, to acknowledge where we have fallen short,
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and to imagine what might yet be possible.
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And I love imagining that this is not only each of us
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doing that work with our coat of many colors,
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but it is also the calm in person and online, across
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generations and across the Jewish people at large.
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We are stitched together a ratty coats,
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and these years particularly ratty and torn.
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Different stories, different experiences,
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different wounds and different hopes.
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None of us is whole on our own.
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None of us is perfect.
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And yet somehow we belong to one another.
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Stitched together.
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Maybe that is what part of a label is asking of us,
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not only to do the work of repairing ourselves,
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but to think about how we repair
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the fabric that holds us together.
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Because we live in a time when it is very easy to pull apart,
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to decide that someone else's story doesn't belong next
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to ours, to decide that our differences are too great
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for us to be really in community with one another.
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But then we have this beautiful teaching.
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By Sunday.
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The King is in the field.
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God is here.
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God is in the field close to us, waiting for us.
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All of us.
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And not waiting until we're ready.
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Not waiting until we have everything figured out.
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Not waiting until we have fixed ourselves.
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Or fixed the Jewish people or fixed the world.
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God simply is waiting for us to turn toward
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God in the field and turn towards one another.
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On the walk.
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In a few moments, at the end of the day,
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we're going to physically enact that actual idea.
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We're going to stand up as we do always, to go greet the bride.
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We're going to turn toward the door and welcome Shabbat.
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And as a bride and as a queen,
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both either Shalom are available.
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E-Collar Shabbat to Malka.
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Come in. Please come, beloved.
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And I love that we don't wait until we're ready to welcome Shabbat.
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We stand first.
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We stand with our mistakes and our questions.
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With what is broken and what is beautiful.
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With everything.
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This past week has brought us.
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We stand as individuals and we stand as a community.
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And we will be doing that in two weeks.
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On Rosh Hashanah, we stand together with the hope that something
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can be different, that we can change, that our communities can change, that.
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The Jewish people and the Jewish state, if I might add, can change that.
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Humanity can change not because we're already there,
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we're already home, but because we are beloved,
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not because everything
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is already prepared, but because we're willing to pick up
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the pieces and begin stitching them together again.
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So let us enter the field.
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Let us sing.
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Let us pray.
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Let us rejoice in the gift of being here together.
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And when the time comes, let us stand and welcome Shabbat.
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And in two weeks a new year.
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Let us not wait.
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Let us greet this moment and say we are here.
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We are ready.
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Let us walk in the fields together.