Sermon
The Prodigal God
Publisher transcript
Transcript
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Let us pray, Eternal God, how privileged we are to be called your
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sons and daughters. We have come on your designated day to worship you,
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to ask for your blessings, Lord, so that we will come home.
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It's time for us to come home, and it's time for us to go
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home. So help us Lord, as we meditate on your great love and
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your keen desire to see everyone saved in your kingdom. May that be our
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experience. I pray in Jesus' name. Imen Look fifteen has the parables about
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the three Lost individuals, animals and coin, the Lost Coin, the Lost
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Sheep, and the Lost Sons. The Story of the Lost Sons is a
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story in two parts. The first part is the younger brother and the second
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part is the older brother. In the story, the younger brother represents the
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publicans and the sinners, and the older brother represents the scribes and pharisees.
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Part one begins with an unheard of request from the younger son to his father,
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give me my share of the state. You can hear the crowd gasp
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as Christ mentions this. Normally this division took place after the father's death.
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The younger son's request was tantamount to saying to his father, I wish you
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were dead. In a culture where the elders were respected and parents were held
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in high esteem, this was deeply disrespectful and highly hurtful to the father.
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Most fathers during this time, if confronted with the same request, would have
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disowned the son on the spot and sent him away from the family with nothing
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more than a few well chosen blows to teach this scoundrel a lesson. The
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father in our story does nothing of the sort. After hearing the son's request.
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His response is even more shocking than the son's request. He agrees to
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give the son what he has asked. The crowd cannot believe what they are
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hearing, but no one makes so much as a sound lest they may miss
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some detail that Jesus, the master storyteller, is telling The father is willing
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to suffer ridicule, loss of honor, as well as pain of rejected love.
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Despite all of this, the father suffers in silence, but maintains his
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love for his son. The crowd notes that there is nothing that the son
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can do that will make the father love him less. In that respect,
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the father is reflecting God's love to each of us. The fate of the
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youngest son is well known to each of us because we have heard his story
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previously. The sun takes his wealth, lives it up, He forgets his
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upbringing, disregards God's laws lest they keep him from having a good time,
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and then the money runs out. On top of that, a famine hits
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the land. All too soon, his fair weather friends abandon him, and
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he finds himself alone. What is he to do? He never imagined this
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scenario. Hunger turns him to seek employment, but all he can find by
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way of a job is to feed pigs, which is deeply insulting to him
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a jew. When he covets what the pigs are eating, he realizes that
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he has hit rock bottom. You can't go any lower than that. He
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comes to his senses crazy. He says to himself, here, I'm trying
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to eat what I'm feeding the pigs, when the servants in my father's house
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have a feast every day compared to what I have. He decides to return
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home and perhaps his father will agree to take him back as a servant.
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No, he thinks about this plan, and then he realizes that it's not
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very good because the servants in his father's estate live on the campus, and
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there's no way that his father will allow him to live on the same campus
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after what he has done. So he says, scrap that plan. That
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plan won't work. Let me go to plan B. Plan B is to
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ask his father to take him back as a hired tradesman. Now he knows
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that his father hired tradesmen to do work around the estate and they got paid
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a daily wage, but the tradesmen lived in the community, they didn't live
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on the campus. This way, the Sun reasons he can be hired to
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work, he can earn some money and begin to pay his father back for
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the money that he squandered. The plan seems sound to him, so he
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heads for home, not knowing what to expect. On the long journey,
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the son rehearses what he's going to say to the father. He runs various
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scenes about meeting his father and imagines all the different possibilities of an outcome.
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In all the scenes he imagines, not once does he even come close to
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what actually happens in reality. Luke fifteen twenty puts it this way. So
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he got up and went to his father. But while he was a long
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way off. His father saw him and was filled with compassion for him,
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and he ran to his son, threw his arms around him, and kissed
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him. Now several things are striking about Luke's account of this reunion. First,
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the father was filled with compassion. Sympathetic pity is another word for compassion,
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and he was compassionate for the misfortunes of his son. This is not
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a natural reaction, but this is the reaction of the father in the story
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that we have no hint of anger or disappointment. Secondly, his father runs
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to meet his son. Note that Luke tells us that the father ran towards
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the son, but there is no mention of the son running towards the father.
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Here is why this is so extraordinary. As owner of a large estate,
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the normal dress called for our owner was to wear an expensive robe.
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The robe reaches down to the feet. A robe restricts movement of his legs,
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which is needed to run. The only way he could have run is
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if he lifted his robe, bared his legs, and ran. Can you
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imagine the headline in the local newspaper the next day. Local owner bears legs
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to run to meet his lost son. Scandalous This is also extraordinary because in
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that culture, boys run, young people run, women run, but owners
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of large estates do not run. Does the father care, absolutely not.
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He is just thrilled that his son is back. The third thing that is
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striking is that in welcoming his son, the son is unable to respond in
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the same manner that the father responds. Now, you would think that typically
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if somebody saw somebody running towards them, they would do the same thing and
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run towards them and meet somewhere in the middle. But that's not what the
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story tells us. The reason the son is like a statue is because he's
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just faberglass glass blasted. He is unable to interpret what is happening. Why
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is his father running towards him? Is his father running towards him in anger
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to hurt him? Or what is the reason? He never expected to see
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his father running towards him, So that is why the son is like a
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statue. He's completely speechless. He has imagined a thousand scenes of how the
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meeting with his father would go, but never in his wildest imagination did he
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imagine that his son would run to him and give him the welcome that he
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did. This father does not give his son a chance to give the speech
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that he has reserved rehearsed a thousand times. The father orders robes for his
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son and orders that the fatted calf be killed for a banquet. So ends
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the part one of this story. This is a picture of the Prodigal God.
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The title of my sermon is taken from the title of a book by
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Timothy Keller called The Prodigal God. The definition of prodigal is reckless, extravagant,
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having spent everything. And that's exactly what God the Father and God the
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Son did in the Plan of Salvation. They gave everything there was nothing more
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to give, and that is why he's called the prodigal God. Now,
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more recently, the word prodigal has taken on a negative connotation, and to
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be called a prodigal son is not paying anyone a compliment. But the sense
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of prodigal means to give without any limit. Now, Part two of the
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story deals with the older brother who represents scribes and Pharisees. Early in Luke
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fifteen we note that the scribes and Pharisees murmured because Jesus welcomed publicans and sinners.
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This man receiveth sinners. They complained in their book only they were entitled
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to meet with Jesus because they kept the law. They followed the precepts laid
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out in the scriptures. How dare Jesus show favor to tax collectors and sinners,
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even though Jesus made it very clear when he said that he was sent
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to those who were in need of healing, not to the healthy. The
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rest of the story is for the scribes and Pharaoh. The older brother was
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not a witness to the younger brother's reconciliation. He was in the fields working
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as a dutiful son. He hears music and is told by servants about what
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has happened, and he is furious it is now his stern to disrespect and
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insult his father. He refuses to join the party or welcome his lost brother.
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The father does not expect this reaction and pleads with his son to come
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and make the restoration complete. The older son refuses the father's invitation. Not
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only does the father the older brother refuse to come and welcome his brother,
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but he accuses his brother of wasting and squandering his father's money, and he
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complains that his brother gets the fatted calf. Despite his faithful service, he
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does not even get a kid goat to celebrate with his friends. The oldest
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older brother's actions say that because he has been the model's son, in his
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words, he now deserves to tell his father how his father is wrong,
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and what he's doing to restore the younger son to the family is just not
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correct. This misses the point of the first two parables in Luke fifteen.
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In the story of the lost coin, the coin is an inanimate object,
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does not know that it is lost, but when it is found, there
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is rejoicing for the lost coin that is found in the cave of the lost
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sheep. The lost sheep is aware that it is lost, but the lost
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sheep cannot find its way home, so it needs the shepherd to find it
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and bring it home. Now, in the case of the lost son,
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the younger brother there deserves to be more joy when he comes home when he
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is found and restored. The older brother was not such a model son,
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after all. God made it clear after what happened between Cain and Abel,
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that we are our brother's keeper. We have an obligation to look out for
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one another. A true older brother would have seen his father's agony over his
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lost younger son, and the older brother would have gone out and tried to
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find the younger brother and restore him to his family. How different was the
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action of our older brother Jesus to each one of us who were lost.
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He came to seek and to find and to restore us to the family of
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God. I'm sure the crowd was eagerly waiting for the conclusion of what happens
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to the older brother, but Jesus does not provide an ending. Christ object
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Lessons provides a reason why Jesus did not provide an ending to this parable.
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For the Parable. In Christ's object Lessons we a page two or nine we
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read for the Parable was still enacting, and it rested with his hearers to
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depend what the outcome should be. In other words, they controlled the outcome.
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It was in their hands, and whatever they chose will determine what the
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outcome was. The paradox of our church today is that we do not attract
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the kinds of people that were attracted to Jesus, the publicans and the tax
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collectors. Why do you think this is? I think it is because the
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church is made up of more older brothers or scribes and Pharisees than younger brothers
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or more publicans and sinners. If this is true, then we must see
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what Jesus' answer is to the problems of the scribes and the Pharisees. In
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no certain terms, the Savior had pointed out the problems that the scribes and
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Pharisees had. It was their self righteousness, they focus on works to grain
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favor and hypocrisy that kept them from being restored to the family of God.
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They felt no need of the blessings of Jesus. They were shown so that
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their good works would earn them enough favor in the sight of Heaven. One
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of the reasons that Jesus did not finish the story of the Older Brother is
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because he had spoken about it many times before to the scribes and Pharisees.
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They knew what Jesus had said, and they knew what one should do to
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get to Heaven. I would like to close with a story that Philip Yancey
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includes in his book What Is Amazing About Grace? I call it the Parable
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of the Prodigal Daughter. A young girl grows up on a cherry orchard just
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above Traverse City, Michigan. Her parents a bit old fashioned, tend to
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overreact to her nose ring, the music she listens to, and the length
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of her skirts. They ground her few times and she seats inside. I
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hate you, she screams to her father when he knocks on the door of
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her room after an argument, and that night she acts on a plan that
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she has mentally rehearsed scores of time. She runs away. She has visited
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Detroit only once before, on a bus trip with her church youth group to
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watch the Tigers play. Because newspapers in Travis City report in lurid detail the
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gangs, the drugs, the violence in downtown Detroit, she concludes that this
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is probably the last place on Earth her parents will look for her. California,
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maybe, or Florida, but not Detroit. Her second day, she
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meets a man who drives the biggest car she has ever seen. He offers
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her a ride, buys her lunch, arranges a place for her to stay.
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He gives her some pills that makes her feel better than she's ever felt
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before. She was right all along, She decides her parents were keeping her
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from all the fun and the good life. The good life continues for a
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month, two months, a year, the man with the big car she
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calls Boss, teaches her a few things that men like she's Since she's under
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age, men pay a premium for her. She leaves, lives in a
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penthouse and orders room service whenever she wants. Occasionally she thinks about the folks
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back home, but their lives now seem so boring that she can hardly believe
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she grew up there. She has a brief scare when she sees her picture
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printed on the back of a milk carton with the heading have you seen this
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child? But by now she has blonde hair, and with all the makeup
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and body piercing and all the jewelry, she wears nobody would mistake her for
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a child. Besides, most of her friends are runaways, and nobody squeals
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in Detroit. After a year, the first sallow signs of illness appear,
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and it amazes her how fast the Boss turns mean these days. We can't
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mess around, he growls, and before she knows it, she's out on
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the street without a penny to her name. She still turns a couple of
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tricks a night, but they don't pay much, and all the money goes
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to support her drug habit. When winter blows in, she finds herself sleeping
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on metal grates outside the big department stores. Sleeping is the wrong word.
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A teenage girl at night in downtown Detroit can never relax her guard. Dark
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bands of dark band circle eyes. Her cough worsens. One night as she
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lays awake listening for footsteps, all of a sudden, everything about her life
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looks different. She no longer feels like a woman of the world. She
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feels like a little girl lost in a cold, frightening city. She begins
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to whimper. Her pockets are empty and she's hungry. She needs a fix.
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She pulls her leg legs tight under her and shivers under the newspapers she
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s pile on top of her coat. Something jolts a synapse of a memory,
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and a single image fills her mind of me in Traverse City, where
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a million cherry stream trees bloom all at once, with her golden retriever dashing
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through the rows and rows of blossomy trees in chasing or chasing a tennis ball.
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O. God, why did I leave, she says to herself,
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and pain stabs at her heart. My dog at home eats better than I
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do now. She's sobbing, and she knows in a flash that more than
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anything in the world, she wants to go home. Three straight phone connections
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with the answering machine, she hangs up without leaving a message the first two
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times, but on the third time she says, Dad, Mom, it's
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me. I was wondering about maybe coming home. I'm catching a bus up
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your way and i'll get there about midnight tomorrow. If you are not there,
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well, I guess I'll just stay on the bus until it hits Canada.
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It takes about seven hours for a bus to make all the stops between
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Detroit and Travis City, and during the time, she realizes the flaws in
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her plan. What if her parents are out of town and miss the messages.
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Shouldn't she have waited another day so she can actually talk to them.
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Even if they're home, they probably wrote her off as dead long ago.
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She should have given them some time to overcome the shock. Her thoughts bounce
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back and forth between those worries and the speech she is preparing for her father.
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Dad, I'm sorry I was wrong. It's not your fault. It's
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all my fault. Dad. Can you forgive me? She says the words
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over and over, her throat tightening even as she rehearses them. She hasn't
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apologized to anyone in years. The bus is driving with lights on since Bay
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City. Tiny snowflakes hit the road and the asphalt steams. She's regartten how
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dark it gets at night out here. A deer darts across the road,
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and the bus swerves, and every so often a billboard a sign posting the
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mileage to Traverse City. Oh god. When the bus finally rolls into the
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station, it's air breaks, hissing in protest. The driver announces in a
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crackly voice over the microphone, fifteen minutes, folks, that's all we have.
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Fifteen minutes to decide her life. She checks herself in a compact mirror,
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smooths her hair, and licks the lipstick off her teeth. She looks
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at the tobacco stains on her fingertips and wonders if her parents will notice if
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they are there. She walks into the terminal, not knowing what to expect,
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and not one of the thousand scenes that have played out in her mind
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prepare her for what she sees there in the concrete walls and plastic chairs.
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Bus terminal in Traverse City, Michigan, stands a group of forty members,
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brothers, sisters, great aunts and uncles and cousins and grandma's and great and
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a great grandma to Bud. They all are wearing ridiculous looking party hats,
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blowing noisemakers, and taped across the entire wall of the terminal is a computer
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generated banner that reads welcome home. Out of the crowd of well wishers breaks
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her Dad. She looks through tears and begins the memorized speech, Dad,
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I'm sorry, I know, he interrupts her. Hush child, We've got
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no time for that, no time for apologies. You're you'll be late for
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the party. A banquet is waiting for you at home. We too are
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late for a banquet. It's called called the marriage Supper of the Lamb.
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And all those are in who are in Christ Jesus have a standing appointment to
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meet him at this banquet. Father, it is time for us to come
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to our senses also and make the journey begin to you. Lord. We
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are homesick for heaven. It is time to go home. May every member
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resolved to make that journey, beginning today, and give us strength for the
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journey lord in Jesus' name.