Sermon
Musical Worship
Publisher transcript
Transcript
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It is a joy to be here with you all this morning.
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We're taking a small break from our regular exposition of the gospel according to John.
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! Over the past couple weeks, Nathan has preached on elders and deacons.
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And this morning, as Nathan mentioned, we're going to be in the book of Colossians to consider
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the command, the purpose, and the design of singing within the church.
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So if you would, go ahead and turn with me to Colossians 3.
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We'll be reading and looking at verse 16.
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Our text reads,
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Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom,
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singing psalms and hymns and spiritual songs with thankfulness in your hearts to God.
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Let's pray.
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Father, we praise you for your word this morning, for the gathering of your saints.
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And yes, Lord, for the singing.
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We pray that you would enlighten the eyes and the ears of our hearts,
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that we may come to know you more deeply this morning.
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We pray these things in Christ's name.
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Amen.
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All right.
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Throughout the book of Colossians, Paul and Timothy are focusing a lot on the person and work of Christ.
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He spends a bulk of his time leading into chapter 3,
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reemphasizing that Christ is preeminent and rightly to be worshiped.
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They are correcting the worship of man and imparting the worship of Jesus,
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which, to be clear, is not just through singing.
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Worship is much more expansive than singing.
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But as we come into chapter 3, Paul describes Christian living in light of God,
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creating a new man from death to life in Christ.
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And not only is he producing new individuals, but he is building his church.
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Those in Christ are to be putting off the old man with its practices
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and putting on the new man with Christ's likeness.
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All right.
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And then Paul goes to give us some commands to achieve that and what that might look like.
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And we find ourselves this morning focusing on one of these commands in verse 16.
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So the first part of our text, it starts with an objective and a precondition,
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dwelling on the word that guides us to the rest of our text, teaching through singing.
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So we exhorted to dwell on the word and one way to do that.
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And as a result of doing that, we sing.
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To begin with, the command to let the word of Christ.
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In our English language, the word let is often used to like allow or permit.
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The Greek, however, is a little trickier than that to give the English a clear translation.
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The word in Greek, the word let actually isn't even there.
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It just starts with the word of Christ.
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It's more of an exhortation than asking permission.
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Paul's not asking us to give permission for the word of Christ to dwell richly.
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Piper brought to memory how we might start off the Olympic Games.
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Let the games begin.
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That announcement is not asking the crowd to convene on when or how to start the games.
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But it's more commanding, start the games.
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So the English doesn't have a true one-to-one for how this text reads, but he is being exhortative here.
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There's some debate on what the word of Christ actually is, whether it is the canon of Scripture,
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the words Jesus actually said, or the general message of Christ the gospel.
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Later in chapter 4, verse 3, Paul is talking about sharing the gospel, and he uses the word there to communicate that.
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And in Romans 10, he says, faith comes from hearing through the word of Christ.
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So I believe he's specifically referring to the gospel here, and that's what I want our hearts to be thinking about.
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But since Scripture is ultimately one metanarrative of the gospel message of Christ,
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it's breathed out by God, I think we can take this either way and not lose too much of the intent.
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But I do want to specifically be meditating on Christ and the gospel,
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since that's the main focus throughout the book.
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So the word of Christ is foundational.
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I mean, it is its utmost importance to anything we do,
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and that particularly includes our singing.
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And I'll explain more why it's a particularly important singing later,
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but as God himself birthed human history with his words,
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the Christian is born again through the word of Christ, the gospel.
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And at all times, we should be immersed in this truth.
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It is our identity once the gospel has taken its regenerating effect in our hearts.
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And this message, to be clear, is that God created all things.
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The first humans, Adam and Eve, fell to temptation.
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They disobeyed God and introduced sin into the world.
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And the sin of our first parents is now inerrant to all of us.
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Therefore, we all now disobey God, and this separates us from fellowship with him.
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We stand condemned for breaking his good and moral law.
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And the sentence being eternal destruction,
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away from the presence of the Lord and the glory of his might.
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But praise the Lord, Christ came to uphold the law perfectly,
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and then dying the death that we deserved,
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so that we would not have to.
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Through faith and repentance of sin, this can be true for anyone.
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For you and your household, for the Jew, the Greek, the male, the female, the slave, the master,
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anyone confessing and believing leaves you justified instead of being condemned.
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And being justified, we are reconciled to God and adopted into his family as his children.
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And I love that this is the beginning of our text.
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I mean, it truly sets the foundation for what proceeds.
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And this word of Christ, this gospel message, is to dwell in us richly.
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Our goal in singing is to draw nearer to Christ and into deeper fellowship with him.
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And we're going to focus a lot on music today, but our musical worship is not worship,
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unless it is aimed and set upon Christ in his glory,
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not the glory of the music itself.
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Paul does not say, let the music dwell in us richly,
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but rather the word of Christ.
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So the word dwell here alludes to God's dwelling place amidst the Israelites
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and now in his covenant people.
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And 1 Corinthians 4, or 3, excuse me, 1 Corinthians 3,
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Paul interprets Ezekiel by saying,
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you are God's temple and God's spirit dwells in you.
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So the heart of the believer is now the dwelling place of God.
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Christ has torn the veil.
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And so now his word, the word of Christ,
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is harbored in the hearts of Christians by the spirit.
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And as God dwelled in the Holy of Holies, his word now dwells in us.
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And the glories of the word of Christ, they're rich.
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They are rich in and of themselves.
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And it is like a deep mine with the most precious of jewels to lay hold of.
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And the deeper you go, the more you realize how vast that mine is.
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And those jewels become more and more precious to you.
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It ought to and it does.
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It captivates our whole being, our hearts, our minds, our souls.
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And it produces outward fruit.
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We become more refined and more Christ-like the more the word dwells within us.
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And that means we have to consume it.
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We have to meditate on it.
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We have to marvel at its beauty.
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Study it.
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Practice it.
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Love it.
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And yeah, sing it.
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And for this to be true of us,
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for us to have the word of Christ dwelling in us richly,
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we have to have eyes to see and ears to hear that only the spirit of God can give us.
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So therefore we must pray for the word to dwell in us richly.
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And we must believe it like our life depends on it because it does.
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So this word is rich.
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And if the eyes and the ears of our heart have been opened to it,
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it will produce wisdom with its knowledge.
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It's not just enough to know it.
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As James tells us, you believe God is one, you do well.
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Even the demons believe and they shudder.
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You can know all about the gospel, the word of Christ, but not truly grasp it.
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And therefore it be worthless to you.
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And perhaps worse than worthless, leaving you without excuse to worship the right God rightly.
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But if the gospel is dwelling richly within you, it will produce wisdom.
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And this wisdom should characterize how we teach and admonish one another.
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In our text, it specifically moves us to teach and admonish each other through singing
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and teaching wisely through our singing at that.
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So the ESV, it is a very faithful translation.
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But one point of clarity I do want to address is regarding the commas in our text.
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I think it is best understood to add a through or by after those phrases about the dwelling and the teaching.
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The ESV puts these verbs in the present tense to communicate the flow of this verse.
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It's all connected.
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It's happening together.
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But the commas kind of can tempt me to read them as three separate commands.
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So I think it's helpful to read it like this.
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Let the word of Christ dwell in you richly by teaching and admonishing one another in all wisdom
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with psalms and hymns and spiritual songs with thankfulness in your hearts to God.
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We are actually teaching and admonishing one another through our psalms and our hymns and our spiritual songs.
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And the outcome is that the word of Christ dwells in us more richly.
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It's not just that we have three separate commands.
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Let the word of Christ dwell, teach and admonish, and also sing.
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Instead, we have these three commands that are connected together and influence one another.
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And the big one I want to really harp on to connect is the teaching and the singing,
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teaching one another with psalms.
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So we have a parallel text in Ephesians 5.
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You're probably familiar with it.
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Do not get drunk with wine, for that is debauchery, but be filled with the Spirit,
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addressing one another in psalms and hymns and spiritual songs,
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singing and making melody to the Lord with your heart.
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Same author, probably written from the same prison, at the same time,
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sent via the same person, Tychicus.
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And notice it starts with being filled,
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and then it goes on to command us to address or to speak to one another in psalms and hymns and spiritual songs.
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So those lyrics are sung to one another as well as to God.
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And another compelling reason is more systematic to consider it this way.
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2 Timothy,
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All scripture is breathed out by God and profitable for teaching, for reproof, for correction, and for training in righteousness,
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that the man of God may be complete, equipped for every good work.
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All scripture for teaching, reproof and correction, or admonishment.
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Right?
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Well, the scriptures are filled with songs.
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Have you been taught and admonished by the book of Psalms?
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Yeah.
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Psalms is actually one of the most quoted books.
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It is the most quoted book in the New Testament.
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Also, the Song of Solomon.
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We have Lamentations, Ecclesiastes, the Song of Moses.
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There's 185 songs in God's word.
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And God's word is profitable for teaching and admonition,
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that the man of God may be complete.
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So singing is a means for the words to dwell in us richly,
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as it teaches us and as we teach one another through them.
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And so since we're teaching and admonishing one another through these songs,
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they better be true, soul-sustaining, God-honoring songs.
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It is critical that these songs are informed by the word
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and that those truths run through the lyrics and ring through the musical elements.
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The congregation, the songwriters, the music leaders,
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all need to be dwelling on the word richly to properly teach and admonish one another.
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We want to be sure that we are clinging to the word of Christ,
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not man-made innovation.
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And there is room for heresy to invade the church through the songs we sing,
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as not all of the songs are verbatim scripture.
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False teachers will secretly bring in destructive heresies.
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And it's very easy to do that in singing.
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Destructive songs might say some true things about the gospel,
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but not the full gospel, which leads people astray.
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I've noticed in most of these songs you rarely hear about sin,
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but you do hear all about how much Jesus loves you.
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And sadly, they miss the true grace and love and mercy of Christ
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by singing as if they deserve Christ's love.
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Here's one example from Hillsong.
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It says,
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Don't let your heart be troubled.
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Hold your head up high.
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Don't fear no evil.
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Fix your eyes on this one truth.
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God is madly in love with you.
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Take courage.
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Hold on.
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Be strong.
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Remember where your help comes from.
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There's some scripture thrown in here,
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but where's the magnificent grace that Christ came to cancel the record of debt you owe?
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Where is the assurance being placed?
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Is it on Christ or is it on your loveliness?
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Places that claim the name of Christ are singing songs like that all over this morning.
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And this is why it's particularly critical for the word of Christ to dwell in us richly,
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with all wisdom, as we consider singing.
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It's either teaching us to glorify Christ or to glorify man.
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So this also means the lyrics should be clear and not ambiguous.
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Otherwise, we might not be clinging to anything substantial for our souls.
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It can be a mere emotional experience,
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while no instruction or admonishment is actually occurring.
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The Riseners have been on a Lion King kick recently.
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And I was reminded of the song, Can You Feel the Love Tonight?
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And Timon starts that song really vaguely, and he says, I can see what's happening.
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And Pumbaa says, what?
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Timon says, they don't have a clue.
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Pumbaa chimes in, who?
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Pumbaa can't discern what Simone is talking about.
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We don't want anyone to be a Pumbaa when we sing.
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We want the word of Christ to be clear and rich in its presentation as we sing,
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so that we can cling to the Christocentric truths.
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And more than the lyrics, it's also helpful to consider our environment
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and our presentation to effectively teach one another.
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For example, we keep the lights on.
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We are not being mystical or individualistic.
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We are speaking to one another.
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I don't suppose any of you have conversations with the lights off,
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chanting counsel out loud to yourself.
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We do go alone to the Lord in prayer, privately, behind closed doors.
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But that's not the use of singing congregationally.
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It's not always wrong to close your eyes or lift your hands,
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and perhaps that actually can be good sometimes.
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David speaks in this way sometimes, lifting his hands in praise to God.
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But just remember that you are addressing others with these truths.
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You are singing to one another.
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And just because we are singing to others,
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that doesn't mean that the sun rises to hear you crow
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and the church didn't gather to marvel at your singing.
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That's not what verse 16 is teaching.
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We sing, as verse 14 describes, in perfect harmony,
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serving others and not ourselves.
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And the other side of the spotlight coin is maybe distractive singing.
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We should probably practice our singing
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if we find ourselves being a disruption on Sunday.
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I put myself in this camp, but you know who you are.
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We do the same thing for public speaking,
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to better teach and admonish one another.
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I've probably already said um like 20 times this sermon.
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But it is something that we do,
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and we take to heart so that we can more faithfully practice,
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you know, verse 16,
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seeking to deliver these truths in song effectively
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while not being the center of attention.
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But in contrast to this center of attention,
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we also didn't come here this morning
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for the band to be the center of attention,
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to just sit back and entertain us
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while we passively mouth the words
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or just pragmatically sing them
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without actually seeking the edification of one another
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and the worship of God.
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The band is here to facilitate the congregation's role.
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They play in styles and in keys.
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We can all sing.
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They don't have a blaring electric guitar
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and overwhelming volume
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so that we can't hear one another.
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It's a happy medium where we can hear one another
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as the band leads us in the key and melody,
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and therefore the truths of the lyrics are communicated well.
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So we incorporate these practices
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as we sing various kinds of songs,
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psalms and hymns and spiritual songs.
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I'm not convinced of the exact definition
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and distinction between these three different kinds of songs.
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Some who, to be sure, are smarter than me
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do break them down into specific categories,
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but I think the main point is that we're using a variety of songs.
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Songs from Scripture
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and songs composed as a response to Scripture,
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songs of lament,
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songs of rejoicing,
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songs of triumph,
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and so on.
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The psalms, however,
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they do point to using instruments.
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I wouldn't let someone tell you
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that instruments on stage are sin.
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It would be okay if we didn't,
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but it certainly isn't sin to include them faithfully.
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The very word psalm actually means
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to strum or pluck on an instrument.
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So we are to use all kinds of songs,
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some accompanied by musical instruments,
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others perhaps not,
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but to teach and to admonish one another.
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And so that's the gist of what our text is saying
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in this first half,
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but it leads me to the question,
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why singing?
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If the word of Christ is what we want to dwell in us richly,
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why are we not just commanded
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to speak it to one another?
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Why do we go the extra step
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into singing it to one another?
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And this is no new command in Scripture.
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It's actually one of the most frequent commands
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in our Bibles.
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For reference sake,
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Exodus 15 and 18,
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Numbers 21,
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Deuteronomy 31 and 32,
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2 Samuel 1, 22 and 33,
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1 Chronicles, 2 Chronicles,
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Isaiah, Ezekiel, Psalms,
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Ephesians 5, 1 Corinthians,
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it goes on and on.
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It's very frequent in our Bibles.
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And I think there are many reasons
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we seem to glorify God,
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but three significant reasons
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we're going to dwell on today
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are one,
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it's a design feature.
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It's part of creation.
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Number two,
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it's a means of displaying
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displaying our oneness in Christ.
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And three,
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we actually edify one another
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through our response to God
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in song.
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So number one,
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singing is founded upon
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a design feature in creation.
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The first song recorded in Scripture
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isn't until Exodus 15,
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but we have reference to music and song
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all the way back to Genesis 4.
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A few generations after Adam and Eve,
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we have Lamex children
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and their trade recorded for us.
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One is Jubal,
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and he was the father of all those
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who play the lyre and the pipe.
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There was also Tubal Cain,
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and he was the forger
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of all instruments of bronze and iron,
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which may indicate tools,
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but I like to think it includes
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musical metal instruments as well.
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So in the first few chapters
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of human history,
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there's enough business
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for these brothers
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to actually be professional music teachers
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and perhaps instrument makers,
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and we have music being played here
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from the start,
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and I have to assume
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there were songs being sung.
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We start in Genesis,
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and it continues throughout human history
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until Revelation and beyond.
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Singing is baked into creation.
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The Lord was creatively
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and gloriously pleased
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to make it an active part
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of human history,
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and it's not just found
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within the church,
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as we all know.
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It's found everywhere.
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I think most,
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we go to concerts with people
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who appreciate the same music.
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We see Marion Pippen at the pub
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singing their Green Dragon Inn.
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In high school football,
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if we won a game,
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we would gather in the locker room
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and sing a traditional song of triumph.
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It's in the DNA of humans.
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We are singers, music makers.
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Furthermore, creation itself
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is described to be singing a song
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as it displays God's glory
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and his sovereign rule over nature.
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Psalm 98,
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let the sea roar
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and all that fills it,
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the world and those who dwell in it.
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Let the rivers clap their hands.
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Let the hills sing for joy together.
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In Psalm 65,
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the pastures of the wilderness overflow,
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the hills gird themselves with joy,
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the meadows clothe themselves with flocks,
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the valleys deck themselves with grain.
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They shout and sing together for joy.
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So this is all downstream
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from the attributes of our creator.
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God didn't just create a world
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that had mere mechanical function,
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but he created functional systems
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that are beautiful.
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For instance, in Genesis 2,
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God created out of the ground
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every tree that is pleasant to sight
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and good for food.
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So the function of some trees
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were for consuming their beauty
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and other trees,
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their beauty and their fruit.
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The oak tree is beautiful,
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but I had a rough night one time
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after I ate one of its acorns.
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It was not for beauty and food.
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Psalm 19, which is a song,
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the heavens declare the glory of God
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and the sky above proclaim his handiwork.
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Day to day pours out speech
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and night to night reveals knowledge.
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So not only is God's creation functional,
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but it is beautiful
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as it displays the glory of the creator.
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His unique creation, mankind,
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was created in his image.
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The creator created more,
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little c, creators
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to reflect and display,
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to image the glory of their creator.
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It's like Norman Rockwell's
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painting of himself,
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painting himself.
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The great creator or artist or composer
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has created us with a pleasure
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in musical expressions.
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It's one way that we bear God's image
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of creating by creating music.
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God's gift of music and song
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is a means of communication,
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but it's in an artistic and creative way.
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It is both functional
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in presenting information,
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but it's also beautiful
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in the way it is presented.
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It takes words on a page
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and enhances the effect
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of their truths
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by employing our emotions
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and appreciation
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of the musical features.
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God himself seems to be pleased
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with musically communicating deep truths,
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again, as he has given us
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so many songs in his word.
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Harmony, rhythm, pitch,
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poetic lyrics,
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everything about music,
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everything about music,
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when we put them together correctly,
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is pleasing.
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And we will put thematic music
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to our lyrics
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to expound our expression
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of the words we are singing.
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It deepens our experience of it
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so that we can feel the lyrics.
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And although we see God's thumbprint
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in all mankind
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as they create songs,
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it naturally falls short
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of its intended design
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in Adam.
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Singing can be done
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for the glory of man
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or for the glory of God.
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It has been corrupted in Adam,
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but it can be redeemed in Christ.
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If we look back
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in our chapter 3 at verse 10,
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we put on the new self,
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which is being renewed in knowledge
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after the image of its creator.
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So we've already been created
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in the image of God,
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but now we are again
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being made more into the image
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of a creator.
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So setting our minds
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on the things above,
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what we now create
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will reflect God's attributes
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all the more.
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Our songs seek to creatively
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adorn the truths
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that we are speaking
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to glorify our great creator
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as an act of worship.
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So songwriters and music leaders,
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they have the important
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and spiritual task
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of understanding
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what key to play in,
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what volume, pitch,
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so that we can reflect
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God's image as creators.
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They heard us musically challenged
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cats to sound better
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than we would have otherwise.
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They're attempting to make us
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both functional and pleasing
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to experience the lyrical truths
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all the more,
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enhancing the truths
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that they may richly dwell in us.
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It incorporates our emotions,
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our natural attraction to music,
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and our propensity to create,
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and it channels those things
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to present rich truths beautifully.
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And, for instance,
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when we sing,
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great is thy faithfulness,
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there's a line that reads,
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all I have needed,
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and the pitch ascends.
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Where do we look for what we need?
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Seek first the kingdom of God.
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I look to the hills,
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from where does my help come from?
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It comes from above the hills,
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and as our hearts are lifted
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to look for the things we need,
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so does our pitch.
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The conclusion to that line is,
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thy hand hath provided.
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My help comes down from above,
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from the Lord,
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who made the heavens and the earth.
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So as the Lord descends with aid from above,
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so does our voice.
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And that's just a beautiful way
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to further experience the truths
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that we're singing to God.
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There's also the famous Easter hymn,
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Up from the Grave He Arrows.
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That song starts,
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Low in the grave he lay.
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It's really kind of somber and low,
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and you can almost hear the hopelessness
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of the disciples
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as they felt everything was amiss.
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Messiah was gone.
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Death had won the day.
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But then the response is high and fast
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when it sings,
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Up from the Grave He Arrows.
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It's really high and it's triumphant
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because He has triumphed over His foes.
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And it's a way to declare
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the victory of Christ
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over death and sin
-
thematically in those lyrics.
-
And I remember a few weeks ago,
-
Alex led us in Behold Our God one time.
-
At the end of that song,
-
we repeat,
-
You will reign for...
-
And I found myself thinking,
-
Man,
-
He repeated that line
-
one too many times.
-
How long is this going to go on?
-
And it hit me.
-
Yeah,
-
the Lord will reign forever.
-
Forever.
-
And ever.
-
All the way down
-
throughout history and beyond.
-
So singing that line again
-
and again
-
emphasizes the ongoing
-
and forever nature
-
of God's rule and reign.
-
So it's one way
-
that we thematically
-
present these rich truths
-
to one another.
-
So the second reason I see,
-
and perhaps the sweetest meditation
-
of all this,
-
is the fact that we are doing this
-
as a people
-
who have been called
-
into one body.
-
We, the redeemed,
-
are no longer just people.
-
We are now God's chosen people.
-
Let's look back into our text
-
for a little bit of context
-
of where we're at,
-
where Paul's mind is
-
as we come to verse 16.
-
We're going to start
-
in verse 9.
-
It says,
-
Do not lie to one another,
-
seeing that you have put off
-
the old self
-
with its practices
-
and have put on
-
the new self,
-
which is being renewed
-
in knowledge
-
after the image
-
of its creator.
-
Here there is no Greek
-
and Jew,
-
circumcised and uncircumcised,
-
barbarian,
-
Scythian,
-
slave,
-
free,
-
but Christ is all
-
and in all.
-
Put on then
-
as God's chosen ones,
-
holy and beloved,
-
compassionate hearts,
-
kindness against another,
-
forgiving each other
-
as the Lord
-
has forgiven you.
-
So you also must forgive.
-
And above all these,
-
put on love,
-
which binds everything together
-
in perfect harmony.
-
And let the peace of Christ
-
rule in your hearts
-
to which indeed
-
you are called
-
in one body
-
and be thankful.
-
Let the word of Christ
-
dwell in you richly,
-
teaching and admonishing
-
one another
-
in all wisdom,
-
singing psalms and hymns
-
and spiritual songs
-
with thankfulness
-
in your hearts to God.
-
And whatever you do
-
in word or deed,
-
do everything
-
in the name
-
of the Lord Jesus,
-
giving thanks to God
-
the Father
-
through Him.
-
Right?
-
So this text
-
is emphatic
-
about our oneness
-
in Christ
-
and how to glorify Him.
-
That's the context
-
we find ourselves
-
as we consider
-
singing together.
-
Congregational singing
-
is not only
-
a means of
-
praising God
-
individually,
-
but it's a way
-
of displaying
-
and embodying
-
our oneness
-
in Christ.
-
The word church
-
is a singular noun,
-
but it describes
-
a plurality
-
of people.
-
The word body
-
is also a singular noun,
-
but we are members
-
of one body
-
with,
-
as Colossians 2
-
tells us,
-
with Christ
-
as the head.
-
The church
-
is beautifully
-
comprised
-
of diverse people.
-
We come from
-
different places,
-
we have different
-
upbringings,
-
we have different
-
preferences and opinions.
-
You know,
-
some of us
-
wouldn't have even dared
-
to hang out
-
with one another
-
before Christ
-
had called us together.
-
But at the end
-
of the day,
-
the Lord has brought
-
us into one
-
heavenly family,
-
and we with one
-
voice glorify
-
the same God
-
and Father
-
of our Lord
-
Jesus Christ.
-
There is one body
-
and one spirit,
-
one hope,
-
one Lord,
-
one faith,
-
one baptism,
-
one God
-
and Father
-
of all.
-
And we are
-
His one chosen
-
people
-
that metaphorically
-
sing the same
-
song.
-
The word
-
of Christ
-
is our
-
anthem.
-
Our sins
-
have been paid
-
for by the
-
blood of King
-
Jesus,
-
and that's
-
our song.
-
When we sing
-
together,
-
we are showing
-
this usurping
-
power of Christ
-
over our
-
earthly differences.
-
And more than
-
calling up people
-
from all kinds
-
of places,
-
we also have
-
different and
-
unique giftings
-
that the Lord
-
uses to bless
-
the church.
-
The church
-
in this way
-
is like a
-
heavenly orchestra
-
with Christ
-
as its composer.
-
And when we're
-
using our gifts
-
for the greater
-
good of the church,
-
we play the score
-
that the Lord
-
wrote for us.
-
Our singing
-
and harmony
-
depicts our
-
harmony in Christ.
-
It illustrates
-
the beauty
-
of the church
-
using her
-
unique roles
-
in one accord.
-
We give
-
our individual
-
gifts to
-
bless the
-
body,
-
and we give
-
our individual
-
voices in
-
our songs.
-
And when
-
everyone plays
-
their part,
-
it makes
-
a joyful
-
noise.
-
And so
-
since we
-
have a
-
variety of
-
people with
-
subjective
-
experiences coming
-
to worship
-
in harmony,
-
it is good
-
to sing a
-
variety of
-
songs.
-
Songs of
-
lament for the
-
grieving heart,
-
as well as
-
songs of
-
rejoicing for
-
those who
-
aren't,
-
it would be
-
somewhat
-
self-seeking to
-
think that we
-
can't sing a
-
lament because
-
we're feeling too
-
cheerful that day,
-
or that we
-
can't sing some
-
lively carol because
-
we're feeling a
-
little gloomy.
-
But we sing those
-
songs genuinely
-
for the one who
-
may be in a
-
different season
-
than we are.
-
We weep with
-
those who weep,
-
and we rejoice
-
with those who
-
rejoice.
-
And if you're
-
feeling down,
-
maybe you need
-
to sing a
-
joyful song so
-
you can practice
-
being joyful
-
always and
-
giving thanks in
-
all circumstances.
-
Maybe you've
-
been living a
-
little too
-
lightheartedly,
-
and you need
-
to be brought
-
back to the
-
sincerity of
-
following Christ.
-
We can do
-
those things
-
through our
-
songs.
-
And whatever
-
your circumstances
-
are, we put
-
on love, and
-
we submit to
-
one another out
-
of reverence
-
for Christ.
-
So this leads
-
us into our
-
third reason.
-
Singing
-
exemplifies how
-
the heart
-
responds to
-
the truth.
-
We are
-
teaching and
-
admonishing one
-
another as we
-
are exemplifying
-
the worship of
-
God through
-
song.
-
When you see
-
a brother or
-
sister truly
-
singing and
-
praising the
-
Lord, doesn't
-
that edify you?
-
I remember
-
one Sunday
-
morning, several
-
years ago, as we
-
were singing, I
-
was standing next
-
to a brother, and
-
he was just
-
passionately
-
singing.
-
He then
-
threw his
-
arm around
-
my shoulder, and
-
he brought
-
me into this
-
praise of our
-
mutual Savior.
-
His transparent
-
clinging to
-
Christ, you
-
know, belting
-
these truths
-
out amidst the
-
church, it was
-
edifying to me.
-
Even this
-
morning, as I
-
hear you guys
-
sing, it is
-
edifying, exemplary
-
to me, to my
-
heart.
-
And when we
-
compose a song
-
in response to
-
scripture, it
-
can teach and
-
admonish us by
-
artists who we
-
should trust
-
again.
-
We're dwelling
-
on the word of
-
Christ.
-
God has gifted
-
many with the
-
ability to consume
-
scripture and
-
experience the Lord
-
working in their
-
hearts and then
-
output, creative,
-
encouraging, and
-
convicting songs.
-
Psalm 51, for
-
example, David
-
singing the song
-
of repentance,
-
exemplifies how a
-
man, after God's
-
own heart, responds
-
to committing that
-
grievous sin with
-
Bathsheba.
-
And we come
-
together to both
-
sing praises to
-
God and to teach
-
one another to
-
worship the Lord.
-
It is something
-
that the Lord has
-
ordained that
-
supplements the
-
exegesis of the
-
scriptures.
-
Singing teaches and
-
admonish one another
-
by showing us the
-
work of the spirit
-
through the way that
-
we sing and through
-
the lyrics of the
-
songs we compose in
-
response to the
-
indwell word.
-
So the very end of
-
our text, it
-
almost comes a bit
-
naturally to me.
-
After considering
-
the glory of God
-
in our singing, it
-
nearly goes without
-
saying with
-
thankfulness in your
-
hearts to God.
-
But I think it goes
-
with saying because
-
it directs our heart
-
posture as we
-
sing.
-
There is a duality
-
that we are singing
-
to one another, to
-
teach one another, and
-
to God with
-
thankfulness in your
-
hearts to God.
-
You can't just check
-
this cognitive box.
-
Sing good lyrics,
-
mission accomplished,
-
congregation has
-
been taught.
-
It needs to be from
-
your heart and
-
sincerity with
-
thankfulness from
-
your heart and for
-
the hearts of
-
others.
-
The goal of our
-
teaching through
-
song is to affect
-
the hearts of one
-
another as our
-
hearts are affected.
-
as this heart
-
change isn't from
-
the music or the
-
smoke and mirrors.
-
It's the truth of
-
the word of Christ.
-
Christ has consumed
-
the wrath.
-
We deserve to save
-
a people who
-
rejected him.
-
And this should
-
move you spiritually
-
and emotionally to
-
sing praises to God
-
and proclaim his
-
goodness to one
-
another.
-
I think this is
-
going to look
-
different than just
-
singing.
-
What we sing and
-
the way we sing
-
reveals what's
-
inside.
-
Out of the mouth
-
flows the heart.
-
We are called to
-
dwell on the word
-
richly.
-
Our hearts are
-
turned to
-
thankfulness.
-
And then that
-
sentiment is
-
displayed outwardly
-
in singing.
-
It is a spiritual
-
and emotional
-
expression.
-
Women aren't
-
immune from
-
failing in this,
-
but they are
-
typically more
-
inclined to
-
emotionally express
-
themselves.
-
Whereas men
-
have a harder
-
time.
-
Our culture
-
often tells us
-
that men are
-
to be tough
-
and that means
-
we are to
-
not show our
-
hearts outwardly.
-
We need to be
-
steady and
-
stable and
-
objective.
-
Colossians,
-
however,
-
tells us that
-
we need to be
-
displaying the
-
influence of the
-
word in our
-
hearts outwardly
-
as we worship
-
God and edify
-
the church with
-
thankfulness in
-
your hearts to
-
God.
-
Vulnerability and
-
outward expression
-
is not just
-
for the
-
subjective
-
relativists or
-
the emotional
-
flutty-duddies.
-
Art, the
-
ordinances,
-
imagery,
-
allegory,
-
metaphor,
-
all these things
-
when informed
-
by the word
-
can be used as
-
a means of
-
worshiping
-
God.
-
Worship
-
through song
-
is for those
-
strong in
-
Christ,
-
willing to,
-
as Matthew
-
records,
-
to acknowledge
-
Jesus before
-
men so that
-
Jesus will
-
acknowledge us
-
before the
-
Father.
-
And I
-
confess, I
-
used to think
-
I was too
-
tough to be
-
transparent,
-
to outwardly
-
display the
-
inward work of
-
the Spirit in
-
my heart through
-
various means.
-
The Lord
-
started to
-
sanctify me
-
in this when
-
I got married.
-
It was such a
-
beauty in
-
displaying Christ
-
in the church
-
through marriage.
-
I probably never
-
cried in front of
-
y'all until that
-
day, but I
-
wept that day.
-
Yeah, since
-
then I've grown
-
exponentially in
-
being influenced
-
by the beauty
-
of God
-
illustrating his
-
word in
-
various ways.
-
And now I
-
probably cry
-
most in church
-
through our
-
singing.
-
That's when my
-
heart is
-
affected deeply.
-
And singing,
-
it just brings
-
a felt weight
-
to the
-
doctrines we
-
are confessing
-
together.
-
The underlying
-
power of that
-
all is certainly
-
the words,
-
the lyrics,
-
the truths in
-
them.
-
But there's an
-
influence of the
-
heart there,
-
and that influence
-
is commanded to be
-
displayed outwardly.
-
So we are to be
-
bold and sincere
-
and transparent.
-
We're to let the
-
word of Christ
-
have its effect
-
and be compelled
-
or moved to
-
worship him
-
with thankfulness
-
in your hearts
-
to God
-
through song.
-
We could go
-
on, I promise
-
you, but time
-
is limited.
-
I think we hit
-
the meat of why
-
the Lord commands
-
us to sing.
-
There are many
-
entrees, but he
-
himself is a
-
singer and a
-
composer.
-
We, as one,
-
yet many, are
-
his workmanship
-
created in Christ
-
Jesus for good
-
works.
-
He commands us
-
to sing because
-
he built us to
-
sing to experience
-
his grace and
-
mercy in deep,
-
affectionate ways.
-
Use this gift of
-
singing to bless
-
others today.
-
Sing with gusto
-
and confidence
-
in the word of
-
Christ.
-
We sing with
-
thankfulness in our
-
hearts to God
-
because God is
-
due all thanks
-
as every good
-
gift is from
-
above, coming
-
down from the
-
Father of lights.
-
So in closing,
-
our application is
-
going to be very
-
practical.
-
We're going to
-
sing.
-
The first song,
-
I know Jordan
-
posted these on
-
Slack the other
-
day, but the
-
first song is
-
Come Behold the
-
Wondrous Mystery,
-
and we're actually
-
going to do this
-
a cappella.
-
We chose to
-
remove the
-
instruments so
-
that you all
-
can utilize the
-
instruments.
-
God gave you
-
and to use
-
them to create
-
a joyful noise
-
and experience
-
the oneness we
-
have in Christ.
-
This song gives
-
us that full
-
word of Christ
-
in his lyrics.
-
We were in
-
darkness and the
-
light of Christ
-
has come.
-
He saved the
-
hell-bound man
-
through his
-
propitiation.
-
We are bound
-
for glory together
-
in Christ.
-
And for the
-
second song,
-
we all love to
-
sing that one,
-
O Christ,
-
our hope,
-
our heart's
-
desire.
-
It's a hearty
-
and joyful
-
and thankful
-
song to really
-
feel the effect
-
of how music
-
supplements our
-
praises to
-
God.
-
But I'm going
-
to pray for us
-
really quick
-
before we sing,
-
and then as the
-
band comes up,
-
just take a minute
-
to think through
-
this text and
-
pray through this
-
text and put on
-
Colossians 3.16
-
as you approach
-
singing together.
-
Let's pray.
-
Let's pray.
-
Thank you.