Sermon
The Most Beautiful Marriage Proposal Ever
Publisher transcript
Transcript
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Well, thank you, Pete and Adaisy, for bringing us our readings tonight.
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It's lovely to be together tonight.
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My name's Graeme. I'm the pastor here of the church.
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And let's just allow our souls tonight to be greatly strengthened
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as we gaze at the glory of who our self-giving King is tonight.
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So whatever's going on in your life right now,
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whoever you've come here today,
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whatever struggles that you're facing,
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let's be in awe tonight of the King who gave it all for us.
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And so as we step into John 19,
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as you've got the passage there, have a look at it.
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Know that you are looking at the most beautiful marriage proposal ever.
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I've had many friends down the years who've proposed.
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And as far as I can tell, all of them have one thing in common.
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And it's this.
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None of them woke up the morning that they got engaged and thought to themselves,
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do you know what I fancy doing today?
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I really feel like asking a girl to marry me.
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And so down they went to Claire's Accessories.
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They bought the cheapest ring that they could find.
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Before they hit the high street, they stopped the first girl that they happened to see.
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And they said to her,
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Will you marry me?
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It's not really how it works, is it?
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Or certainly I hope it's not how it works.
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Every single one of those men told me for months and months about this girl who they were crazy for.
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And about how they knew from the moment that they first clocked her,
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that they wanted to marry her and win her.
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And so they set about scraping together every last penny that they had
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to buy the perfect ring and to present it to her in the perfect way that communicated to her
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that I'm prepared to do whatever it takes to win you and make you mine.
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And I've heard some of them tell me stories about how they did it.
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And I'm blushing just hearing the story, thinking to myself,
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I would have even said yes to something like that.
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John chapter 19.
John 19 chapter mention
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Welcome to the most beautiful marriage proposal ever.
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One that whatever is going on in your life right now,
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if your faith is in this Jesus,
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you have been so wonderfully swept up into.
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And at this point, you're likely nudging your neighbor and you're saying,
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Have we got the right passage?
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And I don't blame you for maybe thinking that,
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because I suspect that this was the last thing that you were picturing in your mind
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as we read these verses in John 19 together.
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Because the first few verses from verse 31 of chapter 19,
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this is just business as usual in Rome.
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Nothing out of the ordinary to see.
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I mean, I take it hundreds of people get crucified
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in the several places throughout the Roman Empire
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where these crucifixion stations are located.
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And it just so happens that in this particular day,
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these three men are being crucified,
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and they're being crucified just outside Jerusalem.
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But with day drawing in,
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the Jews want to get the bodies killed and taken down from the cross
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before the clock strikes Sabbath.
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And I take it that's just because to have someone visibly hanging there on the Sabbath,
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not only was it a visible sign of God's curse,
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but it was just a really unpleasant and ugly thing to look at.
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Didn't want that kind of thing on display,
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particularly during the Passover.
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And so the Romans,
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to speed up the dying process,
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because these things we've got to understand could last for days,
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they would break the legs of their victims
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so that they could not push themselves up anymore to get breath.
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So to break their legs is effectively to suffocate them.
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They do it to the man on the right,
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and they do it to the man on the left,
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and then they come to the man in the middle.
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And they realize when they come to the man in the middle
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that the guy's already dead.
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Now, whether it's a random act of violence
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to kind of flex their muscles,
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or as a way of maybe double checking
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that the guy in the middle cross was in fact actually dead,
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one of the soldiers takes a spear
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and he pierces Jesus' side with it just to make sure.
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And yes, indeed, this guy's dead.
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So here is another grim day at the office in Rome.
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You're a Roman soldier.
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This is another day, another dollar.
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Nothing to see here.
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And yet John the Gospel writer,
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remember himself,
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he's an eyewitness to all of this as it goes on.
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He seems to get really animated at this scene.
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Have a look at verse 35.
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What does he say?
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The man who saw it has given testimony,
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and his testimony is true.
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He knows that he tells the truth,
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and he testifies.
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And then what he sees,
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then see what he says next.
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What does he say?
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Why am I telling you this,
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says John?
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So that you may also believe.
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So in this scene,
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where the world looks at this scene,
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this man on the cross,
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where the world sees death,
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where it sees power and politics
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claiming yet another victim on another day,
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John, somehow,
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he looks at the same scene,
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and he doesn't see death.
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He sees life.
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And it's not because he's just a sunny, optimist kind of guy.
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It's not because he's an optimist he sees it.
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It's because he's an evangelist that he sees it.
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And in particular,
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John sees life in this horrendous of scenes,
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and he sees it in three places.
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Do you see them there?
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He sees it in Jesus' unbroken bones.
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He sees it in Jesus' pierced side.
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And he sees it in the blood and the water
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which flows from his pierced side.
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Now, just for a little bit,
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let's think about those three things
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and how on earth John can see life in those three things.
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Take the unbroken bones.
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Two contexts to that in the Old Testament
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where unbroken bones are spoken of.
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The first one is Passover.
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The Passover lamb in Exodus 12.
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God had told his people
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that when they sacrificed the Passover lamb,
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that they weren't allowed to break the bones.
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And I take it that's a way of saying
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and of helping God's people understand
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that the lamb that you offer
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has got to be a perfect, flawless sacrifice.
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What is it commemorating?
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What is it helping them remember?
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It's that the lamb whose blood was over the door
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when they lived in Egypt,
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it was only the blood that would keep you safe
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from the destroyer who God would send.
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In that Exodus scene,
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remember the Israelites are just as guilty
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as the Egyptians.
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But the one thing that stopped the firstborn son being killed
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was the blood of the perfect lamb
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that was over the door.
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Not to do with the quality of their faith
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or the intensity of their faith.
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It was all to do with the blood of the lamb.
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The second context, you get it in Psalm 34.
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David there is writing
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and he says,
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God protect the righteous from our enemies.
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And there you get it as well.
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Not one of his bones will be broken.
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I take it as David's way of saying
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the righteous person who dies,
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trusting God is like a perfect sacrifice.
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Almost symbolically signifying
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that the body of this person
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will be ready for resurrection.
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So the unbroken bones,
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John sees life in that.
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When the world sees random,
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when the world sees insignificant,
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footnote detail,
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John sees life.
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He sees it in the pierced side as well.
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And that's where we got a reading from Pete earlier
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from Zechariah chapter 12.
Zechariah 12 chapter mention
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If you remember that line,
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John quotes from it,
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John chapter 19,
John 19 chapter mention
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they will look on the one who they pierced.
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And that's God saying there
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that he's going to pour out on his rebellious people
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a spirit of grace.
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There's going to come a time
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when sinners will look on the one that they pierced
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and their thoughts will be,
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did you get it in the reading?
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It will be mourning.
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They'll look at it and think,
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what did we do to put him there?
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What have we done?
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What did we do?
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And there'll be a mixture of a spirit of conviction.
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What did we do to put him there?
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And there'll also be a mixture of the spirit of grace.
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And that's what the cross is, isn't it?
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In one sense,
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it is the ultimate criticism of us.
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Our real sin put the real son of God
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on a real cross.
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I remember going to the cinema
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to watch Mel Gibson's film,
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The Passion of the Christ,
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when it came out,
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Donkeys years ago.
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It's the only film I can ever remember being in
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where the film finished
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and not a soul moved
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for about 20 minutes after the film
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in a packed Odeon cinema in Glasgow.
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The weirdest thing ever.
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But in that film,
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maybe you know that Mel Gibson
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is in one scene in that film.
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It's his hand that's on the hammer
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that drives the nails into Jesus on the cross
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as he is crucified.
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And it was Gibson's way of saying,
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of publicly saying,
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that he took some responsibility
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for what happened to Jesus on the cross
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that Friday.
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The cross is the ultimate criticism of us.
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And yet,
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it is also the ultimate liberation for us.
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You've got to hear this tonight.
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that Jesus took it all.
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He took it all.
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He paid it all.
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You know,
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I renewed our home insurance recently.
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Have you ever had this experience?
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They send you the renewal letter.
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And I saw the cost at the top.
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And just growing up in this country,
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you're told never to pay full price for something.
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Or if you do pay full price,
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it's spelled F-O-O-L.
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Right?
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Not paying that price.
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I've phoned them up
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and they get me a good deal.
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Great.
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So they send me the stuff in the post the next day
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and I look at it.
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And if you've ever done that,
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you scan down your insurance documents
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and right at the bottom is just two columns.
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Do you know the two columns I'm talking about?
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Two columns.
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One says,
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what's covered?
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And the other one says,
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what's not covered?
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And what we've got to understand tonight
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is that what Jesus has done
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as far as our sin is concerned,
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there's nothing in that second box.
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Nothing in that second box.
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Jesus has paid it all.
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There is nothing that's not covered.
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We cannot out-sin the cross.
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We cannot out-sin the cross.
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It is the ultimate criticism of us.
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It was our sin that put him there.
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But it is the ultimate liberation for us
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because nowhere else
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so climactically do we see the love of God
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and the justice of God
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on full display for the world to see.
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It is the criticism
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and it's our liberation.
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And then we come to the blood
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and the water.
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And if you're an Old Testament Jew,
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you're schooled in the fact
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that the life is in the blood.
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Without the shedding of blood,
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there can be no sacrifice for sin.
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And in John's gospel,
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water is associated with the Spirit.
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And it speaks of cleansing and life.
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In Jesus' death,
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he releases for us both the cleansing power
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and the life-giving power that we need.
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And John brings all of these three things together
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and he presents it to us
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and to his original readers.
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And he says,
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this is where life is found.
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In the one who gave himself for us.
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You know that old hymn
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that the church have sang down the ages?
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There is a fountain that's filled with blood
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drawn from Emmanuel's veins.
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And sinners plunge beneath that flood.
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They lose all their guilty stains.
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Friends, welcome to the most beautiful
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marriage proposal ever.
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Here is the lengths that Jesus the bridegroom,
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and that's how he's been portrayed
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all the way up to this point in John's gospel.
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Here are the lengths that Jesus the bridegroom
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is willing to go to
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to win his bride.
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And I love how Stuart Townend,
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in his modern day song,
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he captures it so well.
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He says,
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Oh, to see my name
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written in his wounds,
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for through his suffering I am free.
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And John says to his readers,
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Will you see
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and will you live?
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And it's interesting, isn't it,
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off the back of that,
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two individuals come onto the scene.
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Two individuals come forward
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from verse 28.
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You get Joseph of Arimathea.
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Check him out, verse 28.
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The man who was a disciple of Jesus,
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but secretly because he feared the Jewish leaders.
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So he's on the scene here.
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And you get Nicodemus as well,
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who we've met before twice in John's gospel.
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This man who was the top of the religious class.
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This man with a CV to die for.
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This man who had put us to shame.
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This man for whom religion would be his round in mastermind.
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This man who came to Jesus at night in chapter 3.
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And Jesus told him that you must be born again.
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You must be born again.
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It's not about what you do.
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It's about what God has done.
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And then we meet him again in chapter 7.
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And he's there.
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He's kind of cautiously speaking up for Jesus.
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He goes for that.
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Is it right to try a man on lack of evidence?
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And yet what happens to him in that moment?
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He's mocked.
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And we're left wondering since that point,
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what happened to Nicodemus?
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What's going on in his mind?
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What does he make of it all?
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What did both these men have in common?
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They're both in the circles of religious power.
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They both know precisely that Jesus is the Christ.
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But neither want to say so publicly
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because they are frightened about being excluded.
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And yet, isn't it fascinating then
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that this is the moment
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when both Joseph of Arimathea
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and Nicodemus choose
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as the moment that they come out in the open
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about their faith in Jesus.
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It's not the miracles of Jesus
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that are the thing that provoke them
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to come out into the open.
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It's not the teaching of Jesus
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that prompts them to do that.
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Nor is it in John's Gospel,
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nor is it the raising of Lazarus
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that prompts them to do it.
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It's this moment
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when they see the death of Jesus,
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when they finally decide
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to nail their colours to the mast
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as they gaze upon the man
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who is nailed to a Roman cross.
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And remember that John's writing this Gospel.
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It was alluded to in the video, wasn't it?
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That he's probably an older statesman
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at this point.
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And it means he probably knows about
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and his world know about
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the rise and the impact
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that God made on the world
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through the early church.
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And he's trying to explain
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who Jesus is for his contemporaries
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who are wondering,
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what on earth is going on out there
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with these Christians?
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But as John considers the early church,
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what is it that's their song?
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What is the subject of their songs?
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What is the centre of their preaching?
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What is the heart of the discipleship
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that they're trying to get into
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the lives of the believers?
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What's the heart of it?
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The heart of it is the cross.
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You read Revelation
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and you see that the Lamb who was slain
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is beauty enough
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to fill every single one
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of heaven's hymn books.
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And it's enough to forever loosen
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the tongues of every single person
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that gathers there to worship
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the three-in-one God.
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The Lamb who was slain.
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What is the subject?
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What is the great object of worship?
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It is the Lamb who was slain.
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As Paul would say,
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it's the Son of God who loved us
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and who gave himself for us.
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And it's interesting,
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on Good Friday,
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we close at verse 41.
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And do you see where we are
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in the narrative?
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As Good Friday draws to a close,
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we're back in a garden.
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And of course,
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humanity's story starts
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in a garden.
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God creates Adam
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and he puts him in Eden.
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And with everything before that
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in creation,
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God declared it good.
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It's really striking
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in the Genesis creation narrative
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that for the first time,
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you see God declaring
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that something is not good.
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What is it that's not good?
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It's not good that Adam
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is alone.
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And so God causes Adam
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to fall into this deep,
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strange,
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death-like sleep.
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That's what the Hebrew word
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there conveys.
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And God in this moment,
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he reaches into Adam's side.
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He takes a rib
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and presumably
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in a similar way
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to that which he did
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with Adam,
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God breathes the breath of life
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into her nostrils
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and there is woman.
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This one whom Adam
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was designed to be one with.
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This one whom Adam
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is absolutely besotted with.
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This one whom Adam
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cannot stop singing over.
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This one who is Adam's bride.
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And she's come from his side.
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And so here is the greater Adam
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in John chapter 19
John 19 chapter mention
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who's put to death
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and from his side
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comes his bride.
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In Adam,
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we see Christ's glorious intention
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to give life to his bride
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and to be one with her.
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And whatever's going on
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in your life tonight,
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that is your greatest identity.
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That is who you are.
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One who has been so greatly pursued
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and chosen
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and loved
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by the Son.
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we find our deepest meaning
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as believers
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here.
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You know,
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just as we close,
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I remember hearing
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from a friend recently
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about how he proposed.
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And his fiancée was in the room
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and in front of her
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he told me
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how he spent ages researching
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and saving up for
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what he thought
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was the perfect ring
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with the perfect backstory
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that was perfect for her.
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And she responded
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and she said,
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you could have given me
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a Harry Bullring
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and I wouldn't have cared.
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And I thought,
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that is great.
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That is beautiful.
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And yet,
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here's what we need
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to understand
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about what the Bible says
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about humanity.
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Is that we were not like that.
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Until
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the gospel
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is a scandal,
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it will not be a wonder.
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The scandal
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of the gospel,
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the scandal
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of this proposal
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is that God
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loved us,
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says Scripture,
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even when we were
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his enemies.
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When we were not
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looking for God,
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when God was not
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on our radar,
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when we were not
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interested in turning
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from the darkness
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to the light.
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No,
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this God
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came looking
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for us.
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As we were facing
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eternity
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under his judgment,
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this God
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came looking
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for us.
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When we were
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wallowing in
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and happily stuck
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in our sin,
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this God
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came looking
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for us.
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And so,
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all glory
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goes to the pursuing
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and the holy
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God of love.
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That the Spirit
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opened our minds
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and he transformed
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our hearts of stone
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and he opened us up
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to receive this love
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seen in the atoning
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work of Jesus
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for us.
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Dear friends,
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until the gospel
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is scandalous
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to us,
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it will not be
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marvelous to us.
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In the words
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of pastor,
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German pastor,
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Frederick Leahy,
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he says,
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as we stand
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and thought
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before that cross,
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our emotions
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are mixed.
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How dreadful
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and yet,
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how wondrous
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is this place.
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John 19,
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welcome
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to the most
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beautiful
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marriage proposal
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ever.
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God,
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why don't we
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just be silent
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for a moment
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just before we
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move on
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with our service.
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And we don't need
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to rush on tonight.
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Why don't we take time
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just to think about
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some of these things
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as we prepare our hearts
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to come before
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the Lord's table.
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Let's just gaze
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upon him tonight
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and rejoice
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in who our Savior is
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and then I'll pray.
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Amen.
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Amen.
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Amen.
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Amen.
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Amen.
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But he was pierced
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for our transgressions.
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He was crushed
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for our iniquities.
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The punishment
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that brought us
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peace
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was on him
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and by his wounds
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we are healed.
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So Father,
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thank you
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for who you are
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tonight.
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Jesus Christ,
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the same yesterday,
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today,
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and forever.
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And as we look
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at the cross tonight,
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I pray, Lord,
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that it would come
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with a fresh
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conviction
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of our sin
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that put him there
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and yet with a fresh
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knowledge of the love
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of God,
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the pursuing love
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of God
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that went to the cross
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for us.
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Father,
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we thank you so much
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for your goodness.
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We thank you
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for your grace
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and we pray
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that you'd be with us
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for the rest of this evening.
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In Jesus' name we ask.
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Amen.